In contrast o the exteriors were the interior dark recesses of the labyrinthine cave-shaft sequences (shot in a studio) that were particularly allegorical - signifying the impenetrable blackness of the twisted mind of the self-destructive protagonist, as he schemed and descended further and further into his own entrapped existential state - literally a hole from which he couldn""t escape.Kaufman stood face to face with "Big Daddy" as he came downstairs to his escape car in an underground garage...you""ll feel better about me and things will be like they used to be"), but soon things took a turn for the worse.You wait for me to talk.I like that.Jeff: I never found out much listening to myself.Sterling""s girlfriend/mistress, Kathie Moffat (Jane Greer) had shot Sterling four times, connecting only once, and then had fled the scene.Perry White assembled and ordered each division of his staff to completely concentrate on Superman""s return -- photos, columns, articles.