2.[Rachmaninoff""s music plays over many of the film""s scenes to emphasize their lyrical emotionality.] At the end of the credits, another train comes from he opposite direction, moving from right to left across the screen.Armand: What friend?Marguerite: You didn""t even see her?Armand: No.Marguerite: That""s very nice.Armand: I was just wondering if you""d ask me to sit down if I knocked at the door of the box.Marguerite: Why not? We really seemed fated to meet this evening, didn""t we?Armand escorts Marguerite back to Box B.Which is it to be?Pearl: I want to be a good girl.Sin Killer: And remember that the devil is always aimin"" to hog-tie ya.Sometimes he comes ghostin"" over the plains in the shape of a sneakin"" rustler.And sometimes, beggin"" your pardon Laura Belle, he stakes out the homes of the worthy and the god-fearin""...it is the moment when our artist has regressed to the point of infinity, and himself becomes part of the landscape he painted, and is both the observer and the observed.