Standing on the Welcome mat on his front porch, the ground suddenly dropped away, and the house was propelled into outer space above planet Earth below.So I can do right by someone else." The mutant procedure was conducted by Britisher Francis Freeman/Ajax and his powerful, match-chewing assistant Angel Dust (Gina Carano).While scanning and examining Mozart""s sheet music forSerenade for Thirteen Wind Instrumentsstill resting on musical stands,he blissfully remembered how he was amazed by its genius - and then he rhetorically asked the film""s central question about why God had given talent to such a creature: "Why would God choose an obscene child to be His instrument?":(voice-over and in-person) On the page it looked nothing! The beginning, simple, almost comic.Greedy and frantic, she was concerned that Wynant""s mistress Julia was taking all her ex-husband""s money, now that she had remarried an unemployed, penniless lothario named Chris Jorgensen (Cesar Romero).He took a smaller feature film that he was working on about the contemporary, Progressive Era struggle between capital and labor [titled "The Mother and the Law"] and the theme of social injustice and combined it with three new stories to create a more spectacular, monumental, dramatic epic.