]Surveillance and Stakeout on the Suspicious Activities of the Bocas:After a week of surveillance of the Boca couple with a stakeout, it is clear to the two narcotics detectives that the couple (and Sal"s garbage-man brother Lou), all ex-criminals, cannot possibly support their lavish lifestyle (their business was only a "front").They walk back to the front of the train and board the locomotive.The engineer is forced to pull the train ahead about 100 feet, leaving he rest of the cars behind.Scene 6: An exterior scene showing the coach section of the train - the holdup.The rain passengers are forced to leave the coaches.One of the gun-wielding bandits compels everyone to keep their hands up.All of the passengers are lined up along the adjoining train tracks.While they are threatened and covered with a gun, the bandits rob them of their valuables.One of the passengers (Gilbert M."Broncho Billy" Anderson) runs away from the group in an escape attempt, but is shot in the back.After everyone has been searched and robbed, the bandits terrorize he passengers by firing their guns into the air.Dobosh ordered his cast to take the play seriously:This is a serious play, a realistic drama...It is a document of Nazi Germ...Hewas interrupted by the slinky entrance of the theater"s female star Maria Tura (Carole Lombard) wearing a tight, dazzling, floor-length, form-fitting satin gown: "Is hat what you"re going to wear in the concentration camp?" She hought it was an appropriate contrast to the grim conditions of a camp: "Think of me being flogged in the darkness.He also insisted on filming in natural, non-Hollywood studio locales - using real exteriors in the Sierra Nevada mountains, and interiors and street scenes in San Francisco and in Oakland.When Officer Flint arrived, Foley screamed out at DeWald again: "That"s the guy.That"s the killer!" But Axel was taken away by both Flint and Rosewood, as DeWald warned: "You just keep him and his delusions out of my face and out of my park.