The many gorgeous pastoral backgrounds were reflective of the views of American naturalist John Muir, or of photographer-artist-environmentalist Ansel Adams who memorialized the virgin wilderness in his works of art.The opening sequence in particular was the most effective segment, with its dark portrayal of the pork industry and its pig farms, and the cruel fate of adorable porcines and other oppressed farm animals (chickens, sheep, cows, etc.It""s not good for ya.Cold all the time.Can""t breathe air.Let""s get out, Son.Cody: I""m all right now.Ma: Is it going?Cody: Yeah.Ma: Are you sure?Cody: Yeah....it""s like having a red hot buzz-saw inside my head.Ma: (Cody attempts to leave the room) No, not yet, Son.Don""t let ""em see you like that.Might give some of ""em ideas.Cody (He sits down in his mother""s lap.) You""re always thinkin"" about your Cody, aren""t ya?Ma: That""s right.(She rises and pours him a drink of whiskey.) Top of the world, Son.Cody: Don""t know what I""d do without ya, Ma.(He downs the drink.)Ma: Better?Cody: Oh yeah.Ma: Now go on out.Show ""em you""re all right.His Ma functions as his mentor and advisor, and encourages her son to forcefully regain his confidence and appear as normal again.The film is intercut from the bandits beating up the telegraph operator (scene one) to he operator""s daughter discovering her father (scene ten), to the operator""s recruitment of a dance hall posse (scene eleven), to the bandits being pursued (scene twelve), and splitting up the booty and having a final shoot-out (scene thirteen).As his senses went numb, he heard Ben ""Obi-Wan"" Kenobi (Alec Guinness) speak before him in a faint snowy vision, instructing him to become the Rebellion""s only hope: "Luke, Luke.