Top cast:James McAvoy,Michael Fassbender,Jennifer Lawrence
Director:David Yates
Genre:Action
Region:Norway
Year:2001
Storyline:" Bud suddenly has no ethical, moral, or statistical qualms: "Four apples, five apples, what""s the difference, percentage-wise?"That evening while waiting in the lobby of the insurance building, Bud overhears Sylvia as she is leaving the Employee""s Lounge for Women, complaining about her cheap dates with Mr.Lay back and enjoy it -- I think I""m in love") - although Jason interrupted him.Gang-banger # 1 was stabbed through the back with his own discarded syringe(# 13 death).The syringe was shoved completely through him with the needle sticking out his front side.When Gang-banger # 2 returned, he fired his gun six times at Jason, but to no avail.His head was bashed and scalded on a steam pipe(# 14 death), as Rennie ran away and escaped.In a payphone booth, Julius was calling 911 emergency, but was grabbed by Jason.Julius ore free and ran for a fire escape, where he climbed to a rooftop.Cornered there, he decided to valiantly fight against his opponent - and in the fight of his life delivered punch after punch at Jason""s masked face and at his body.Fredersen again reprimands Josaphat for not receiving the news from him first, and then abruptly dismisses him: "Apply to the G-Bank for your remaining wages.It had been a great decade for the film""s main star, Olivia de Havilland, who had already starred inGone With the Wind (1939)(with her first Oscar nomination for Best Supporting Actress, which she lost to Hattie McDaniel),Hold Back the Dawn (1941)(with her second Oscar nomination and first for Best Actress, which she lost to her sister Joan Fontaine forSuspicion (1941)),They Died With Their Boots On (1941),To Each His Own (1946)(with her second Best Actress nomination and first win),The Dark Mirror (1946), andThe Snake Pit (1948)(with her third Best Actress nomination, which she lost to Jane Wyman inJohnny Belinda (1948)).Still, it remained a simple, nostalgic tale of a dilemma - a choice between love and/or duty-honor, with the continual refrain of the song: "Indian Love Call.