I see you." A risque, pre-Hayes Code remark pops up in their conversation, revealing Ann""s notorious reputation:Andy: Not ""Anytime Annie""? Say, who could forget her? She only said ""no"" once, and then she didn""t hear the question!Lorraine (to Annie): Gee, you been abroad?When Marsh arrives on the stage, the prospects are old to line up to display themselves, the dancers in front, the showgirls behind them, and the men behind them.He added: "There were other parts of the body." He interpreted the detached body part as a warning for them to turn back: "Look upon this omen and go back from whence ye came! I have warned thee!" The group cringed in disgust, returned to their van, and drove off.The luridly-colorful set designs by John Barry, costume design by Milena Canonero, the synthesized electronic score by Wendy Carlos [sometimes credited as Walter Carlos - her birth name until undergoing a sex-change operation in 1972 to became Wendy], the colorful and innovative cinematography by John Alcott, and the hybrid, jargonistic, pun-filled language of Burgess"" novel (calledNadsat- an onomatopoetic, expressive combination of English, Russian, and slang), produce a striking, unforgettable film.The director was Rick Rosenthal, although the standard generic pseudonym ""Alan Smithee"" is found in the credits.The wedding party moves outdoors, where Steven confirms, in confidence to Nick, his confusion and unhappiness about his bride""s insemination by another man: "I never really did it with Angela, Nicky.