The main point of Keaton""s imaginative narrative in his celebrated classic was about dreams and reality (portrayed in parallel narratives of the cinematic world and the real world).Pearl, you""re curved in the flesh of temptation.Resistance is gonna be a darn sight harder for you than for females protected by the shape of sows.Yes siree, bob.You gotta sweeten yourself with prayer.Pray till you sweat, and you""ll save yourself from eternal hell-fire.You understand me girl?Pearl: Yes sir.Jubal prays over his sultry convert as she gets on her knees:Oh Lord, look upon this thy creature.She""s a weak vessel and a pauper as thou knowest, but she wants to be thy handmaiden.Give her the horse sense not to go wanderin"" off in the tulies with worthless cowpokes.Amen.Jubal gives her a "hallowed medal" to wear (and taken off a "thievin"" cardsharper") that he promises will keep her "sweet and clean as a first milkin"".She did not just disappear!...She marked up that wall as distraction.She wanted us to think she escaped!Owen complained that Masrani had sent a specialized rooper unit to not kill but to only capture the dinosaur with non-lethal stun weapons (Masrani: "We have $26 million dollars invested in that asset.Here I""ve got you all dressed up, ready to go out and you weaken and refuse...I want o go where there""s life, and I don""t mean plant life.I want to go to the theatre, you know, and go places later and step around and do things...I don""t need an escort to get a drink.I""m going down to the bar and see Joe.Bartender or no bartender, he""s still a man.Maybe he knocks off early.Lucy: Oh, Patty, you wouldn""t!Aunt Patsy: I wouldn""t, eh? You""re talking to a desperate woman.(Mr.Smith jumps up next to Lucy on the couch.) Too badhecan""t wear a top-hat.On her way out of the 11th floor apartment to the elevator, Aunt Patsy runs into wealthy Oklahoman oil heir Daniel Leeson (Ralph Bellamy) from an apartment across the hall where he is staying with his mother - he is singing and humming "Home on the Range" to himself.Its fate appeared to follow the same legacy as many other classics that were butchered, recut, corrupted and lost, such asGreed (1924),The Magnificent Ambersons (1942), andThe Lady From Shanghai (1948).