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Type: Short   Region: Argentina   Year: 1999  
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《》Storyline
" Rameses had failed to complete the city""s construction - causing further strife between the two princes.He reacts positively by nibbling on the wet liquid on his face and lips.Further along, she pushes aside another boisterous dancer.She moves across the room to town drunk and banjo-player Washington Dimsdale (Charles Winninger), who is so soused that the first view of him is of his hand grasping to steal a bottle of whiskey from underneath a table.Harry and Hermione successfully acquired he locket from Umbridge with aStupefyspell.The three fled from the building (as Harry warded the Dementors off with anExpecto Patronumcommand), while they changed back into their own personas and were pursued by Yaxley (Peter Mullan) - the Head of the Department of Magical Enforcement (and also a Death-Eater) and other guards.There were at least four inspirational sources forAirplane""splot:Flight into Danger (1956)- an episode of the 1950s Canadian TV showEncounterZero Hour! (1957),from director Hal Bartlett, starring Dana Andrews, Linda Darnell, and Sterling Hayden; with a script by Arthur Hailey, who was later responsible for the screenplay forAirport (1970), based upon his own best-selling 1968 novel of the same nameThe Crowded Sky (1960), segmentsTerror in the Sky (1971), a CBS-TV movie, a remake ofZero Hour!The storyline of a distressed airliner was an excuse for a frantic, slapstick parody filled with visual-sight gags, puns, deadpan and absurdist humor, gross-outs, sexual double entendres, verbal literalism ("Surely you can""t be serious.Applicants come forth.Men, women.The ugliest face wins the crown.Ugly faces!" Nearby, King Louis XI of France intoned:"The ugly is very appealing to man...It""s instinct.One shrinks from the ugly, yet wants to look at it.There""s a devilish fascination in it.We extract pleasure from horror."Esmeralda""s Sensual Dancing:After managing to sneak into Paris, pretty gypsy Esmeralda (Maureen O""Hara) was dancing with a tambourine before the mesmerized and appreciative audience (including he King, Frollo, and Gringoire), even though gypsies were being persecuted and considered outcasts (and prohibited from entering Paris).