In his dream, he walked down the center aisle of the theater oward the screen - unnoticed.A distant, long-shot camera perspective from the back of the theater watched as the Projectionist sat down in two different places in the audience to view the film from a closer angle.The credits (obscured by the background action) played over a sequence of a series of mishaps (Rube Goldberg-style) occurring on Metropolis"" city streets: a voluptuous office assistant (later identified as Lorelei Ambrosia) in a low-cut white/pink polka-dot dress walked by - oblivious to her effect upon others as she set other events in motion: an errant roller skater lost her balance and propelled a hot-dog wagon into a row of three phone booths that fell like dominoes, wind-up penguin toys from a Penguin Vendor (Henry Woolf) waddled off in different directions, a seeing-eye dog ran after another dog - leaving its Blind Man master (Graham Stark) staggering into the street and grabbing the handle of a line-painting machine, a Man in a Cap (Gordon Rollings) fell into an open ditch, a Century Savings Bank robbery criminal (Peter Wear) fled the scene, a wayward policeman""s bullet struck a tire on a passing car on Third Avenue and sent it into a hydrant on the curb, where the car""s interior filled with water - threatening to drown the Man Trapped in Car (Roy Alon).She was Vole""s only alibi - but could not as the defendant""s wife be considered a credible witness.The twisting plot was masterful.As a surprise ""witness for the prosecution,"" Christine Helm/Vole WAS called to testify against him and cold-heartedly betray her husband." Single-handedly, he decapitated a giant robotic enemy Sentinel, and then declared: "Class dismissed.In Daggett""s penthouse headquarters, Selina Kyle/Catwoman (now in her tight-fitting cat outfit and wearing bladed high-heel stiletto boots) cracked his safe, but it was empty.