"Panicked, she was revived by one of herNightmarefilm""s co-stars, John Saxon/Lt.Donald Thompson (Himself), and was reoriented.That night, the wind howled outside Heather""s house as she laid awake in bed.She found Dylan again transfixed (sleepwalking?) in front of the television (but it was still unplugged from the morning!), watching another scene fromA Nightmare on Elm Street (1984)in which she starred.Early this afternoon I gave you money.When I was having my shoes polished, I gave you more money.Now you put the bite on me again.Do me a favor, will ya? Go occasionally to somebody else.It""s beginning to get tiresome.Dobbs: Oh, excuse me, mister.I never knowed it was you.I never looked at your face.I just looked at your hands and the money you gave me.Beg my pardon, mister.I promise I""ll never put he bite on you again.White Suit: (He hands over a peso.) This is the very last you get from me.Just to make sure you don""t forget your promise, here""s another peso.(He hands him a second peso.)...But from now on, you have to make your way through life without my assistance.[The in-joke is that the director often provided the livelihood for Bogart by having him star in six of his films, includingThe Maltese Falcon (1941),Across the Pacific (1942), andKey Largo (1948).Carroll was over a barrel whenTarantulatook to the hills")The Day of the Triffids (1963) (aka Invasion of the Triffids) --("And I really got hot when I saw Janette Scott fight a Triffid that spits poison and kills")Curse of the Demon (1957) --("Dana Andrews said prunes gave him the runes, and passing them used lots of skills")When Worlds Collide (1951) --("Butwhen worlds collide,"" said George Pal to his bride, ""I""m gonna give you some terrible thrills""")The Opening Wedding Sequence:The faceless, disembodied giant lips transitioned into a close-up of a Christian cross adorning the top of a rural church steeple.[The song was an effort to reprise Hayworth""s sultry singing ofPut the Blame on MameinGilda (1946)].The hallucinatory nature of the film is confirmed by O""Hara - he ponders about quitting.He also asks himself whether he is insane or whether the other characters are the crazy ones:Talk of money and murder...not a buck from he tunnel job showed up." Modern (actually crude), sophisticated, echnological police methods are employed: spectograph scans of dust deposits from the dead man""s clothes and from dirt at the tunnel are brought into the office by Ernie Trent (Ray Montgomery) and place Zuckie "right smack at the scene of the crime.