The uprising is quickly suppressed as Harvey crumples to his knees and grabs his groin.Butch mocks his opponent: "Well if there ain""t gonna be any rules, let""s get the fight started.Someone count ""one-two-three-go""." Sundance obliges, rapidly counting out the phrase.With his two hands locked together, Butch delivers a swinging blow to Harvey""s jaw.With Harvey sprawled out, Flat Nose hurries over: "I was really rootin"" for ya, Butch."After re-establishing command, Butch ironically co-opts Harvey""s audacious plan to rob the Union Pacific Flyer twice on successive runs - they""ll hit it in one direction and then hit it again on its return trip: "Nobody""s done that to the Flyer before.]The major themes of the film include the struggle for survival on the primitive, fog-enshrouded, tropical Skull Island between the ardent and energetic filmmakers (led by Robert Armstrong), he hero (Bruce Cabot in a part originally offered to Joel McCrea), he voodoo natives, and the forces of nature (the unique Beast creature); unrequited love and the frustration and repression of violent sexual desires.Little by little, they were forced to overcome their racial animosity and rely on each other to survive as reluctant partners (Johnny stood on Cullen""s shoulders to get out of the pit).Body Count:5 (4 were killed by Freddy, in dreams and in the real-world).Freddy""s own death was the 5th one.A Nightmare on Elm Street (2010)d.Samuel Bayer, 95 minutesFilm Plot SummaryUnder the credits, children from Badham PreSchool in Springwood, Ohio (1994-1996) played together, with games of hopscotch and skip-rope.[Malick wouldn""t direct another film for 20 years, untilThe Thin Red Line (1998).] This moody, elegiac film has universally been acclaimed as a cinematographic masterpiece, from the talents of Cuban-born European Nestor Almendros (and ""additional photography"" by Haskell Wexler), with naturally-lit, sweeping, 70mm images of crystal clarity and scope, and artfully composed scenes reminiscent of Andrew Wyeth paintings.