While berating and angry at Seaman "Horrible" Lugatch (Claude Akins) on the bridge and reprimanding Ensign Keith as well, the preoccupied Queeg kept ordering the navigating helmsman Stillwell (Todd Karns) to faithfully keep on course, not realizing that the ship was steaming aimlessly around in a circular path ("right standard rudder").Amanda forced it back.A series of church doors closed and exploded before a final one slammed shut, forever blocking access between Alice and Amanda.As adults, Rocky embraces a life of crime, whereas Jerry, who had witnessed Rocky""s fate, becomes a priest assigned o his old home parish.And become America""s hottest new actress."1982 became known astheyear with many Academy Award-nominated cross-dressing, gender-reversed, drag or transvestite performances/ roles with confused sexual identities:Julie Andrews earned a Best Actress nomination forVictor/Victoria (1982)as Victoria Grant, the title role singer who pretended o be gay Polish cabaret singer Count Victor Grezhinski, while co-star Robert Preston received a Best Supporting Actor nomination as her gay partner-in-crime Carroll "Toddy" Todd, who ended up in drag during the finale singing "Shady Dame From Seville"John Lithgow was given a Best Supporting Actor nomination for playing trans-sexual (sex-changed) ex-football player Roberta Muldoon inThe World According to Garp (1982)and then in 1983, Linda Hunt won Best Supporting Actress for the male role of Chinese-Australian photographer Billy Kwan in the next year""sThe Year of Living Dangerously (1983)Many other cross-dressing comedies - in the guise of examining male-female sex roles - played upon the same main features of this film, beginning with:I Was a Male War Bride (1949), by director Howard Hawks, with Cary Grant as a dress-wearing female to comply with the War Brides ActTorch Song Trilogy (1988), by director Paul Bogart, about witty drag queen actor/playwright Arnold Beckoff (Harvey Fierstein) in a film adaptation of the smash Broadway play of the same nameMrs.Evening - Day OneThe next scene, introduced by the snapping fingers of the guitar player to set the tempo, is within the Elysian Room where a group of five, suited-and-tied jazz musicians on a bandstand play a rhythmic number.