《《Momijigari (Short 1899)》》Storyline
It was undervalued due to its being a western - John Wayne, Montgomery Clift, director Hawks, and score writer Dimitri Tiomkin should have - at least - received nominations.Riley leftDead Reckoningto lower the city""s main gateway, the bridge called The Throat, to enter the city, but found the vehicle surrounded by clawing and lunging zombies when he returned, so he was forced to re-enter through the escape hatch on its roof.The play reworked the traditional love story material (of lovers that crossed racial/ethnic barriers) and translated it, in a radical, novel and revolutionary style for a musical, to include racial strife between rival New York street gangs (newly-arrived Puerto Ricans and second-generation Americans from white European immigrant families), juvenile delinquency and inner-city problems of the mid-twentieth century - in exhilarating musical and dance form.[First Identity Change,the first of many masquerades or assumed disguises in the film.] When his story regarding foreign spies and a murder of a woman in his flat meet with disbelief, he improvises a more intriguing sexual scenario to convince the unhappily-married man to exchange his coat - for the good of male brotherhood and male sexual freedom:Hannay: Are you married?Milkman: Yes, but don""t rub it in.