Rose gazes at him, trying o attract a glance while entering the house.Rose quickly persuades Esther to join her and stand on the front porch to look at the boy.Attempting to be non-chalant, both desperately want to be noticed and admired.Unsuccessful in attracting his attention, he is oblivious o them and imperviously wanders inside.Rose thinks: "He""s not very neighborly, I must say."They also go inside their house, where they anticipate he evening""s events.When Esther reminds Rose of her fateful phone call, stuck-up Rose disdainfully mentions her disinterest in boys before drifting upstairs to wash her hair:My dear, when you get to be my age, you""ll find out here are more important things in life than boys.The film was not recognized by the Academy of Motion Pictures Arts and Sciences in any of its award categories.Michaeleen learns that the ""six-foot four and a half"" American is from "Pittsburgh." At a little stone bridge crossing a stream, Sean pauses, looks toward a small thatched cottage in the distance, and listens in his mind o his deceased mother""s gentle voice reminiscing to him as a child about her memories of her past life in the village - the location of his birth and youth where she grew roses:Don""t yourememberSeannie and how it was? The road led up past the chapel and it wound and it wound.When Officer Flint arrived, Foley screamed out at DeWald again: "That""s the guy.That""s the killer!" But Axel was taken away by both Flint and Rosewood, as DeWald warned: "You just keep him and his delusions out of my face and out of my park.They make their escape to the locomotive at the front of the train.After the bandits have disappeared, the passengers rush to assist the wounded man on he ground.Scene 7: The bandits board the locomotive and leave the scene of the holdup:The bandits board the locomotive with large bags of valuables.