A variety of futuristic sci-fi gags included elaborate props such as gigantic hydroponic plants, robots, flight suits, and intimacy-free techno-gadgets (the Orb, videophone, and the automated Orgasmatron).After a lengthy chase and pursuit on crowded city streets, Riggs heaved one of the men out onto the street from the moving vehicle, and then fought his way to taking control of the wheel.Wilks: I""m the one that gets the pressure calls from upstairs.I""m the one that has to explain.You don""t keep an office like this very long stepping on a lot of corns.Bannion: Do you want me to go upstairs and explain?Wilks: Not you.You""re a corn-stepper by instinct."A corn-stepper by instinct," Bannion is not able to understand why he is ordered to lay off the case and "stop pestering the widow," since he now realizes that Lucy told the truth: "She talks to me just once - (he clicks his finger) - like that, she""s dead.The camera pans to the right to glimpse the square panels, brightly lit ceilings, and sliding doors.The door is answered by Poelzig""s grouchy-faced, mute housekeeper/Majordomo (Egon Brecher).Werdegast is concerned about the injured woman and requests that Poelzig be awakened.They ascend the curved staircase.Werdegast""s arrival is electronically announced on an ultra-modern speaker in Poelzig""s bedchamber, viewed hrough a drawn, wispy, veiled curtain.Sherif: Come, I will take you to Feisal.Lawrence: I do not want your company, Sherif.Sherif: Wadi Safra is another day from here.You will not find it.And not finding it, you will die.Lawrence: I will find it, with this.(He holds up his compass which Sherif snags with his camel stick.)Sherif: Good Army compass.How if I take it?Lawrence: Then you would be a thief.Sherif: Have you no fear, English?Lawrence: My fear is my concern.Sherif: Truly.God be with you, English.Lawrence rides off alone, singing before a rock surface and humorously listening for the echo [the compass is returned]:.