《St. Pauli zwischen Nacht und Morgen (1967)》Storyline
The entire town needs o be saved from Mongo""s wrath, and with a quick about-face, a representative from the town asks for the black sheriff""s assistance.She has sensors placed on her fingertips and arms, and belts strapped above and below her breasts.The polygraph operator bends over the machine and studies strips of graph paper from the machine.He rips the paper out and asks her to wait while he takes it to a video monitoring room where she is watched by Nick, Gus, and other police.Using the subway tokens, he crossed through a turnstile and faced a wall.Behind him, a switch had been activated.The subway track lifted up and opened into paneled segments.A subterranean subway car came into view from the opening gap, and elevated itself up to the platform""s level.Atwal) that the Trainman (Bruce Spence), employed by the French Merovingian (Lambert Wilson), controlled whether he could leave ("Down here, I""m God").The next scene featured Austin "Danger" Powers (also Myers) skipping into view on a sidewalk in London, England in the swingin"" 60s, with a blue-striped velvet suit, thick black-framed glasses, black Italian boots, and jagged yellowed teeth, where he was pursued by crazed fans and led a marching band and dance group, under the credits.