Judith Traherne, or don""t names matter?Dr.Steele: Hmm.Judith: I mean, to that cold scientific eye of yours.We""re just little guinea pigs, aren""t we? So glad to have met you, Doctor.(She urns to Ann to leave.)Dr.Steele: Where did you get those burns?Judith: What burns?Dr.Steele: On your right hand here, between the first two fingers.Judith: Well, I never noticed them before.Dr.Steele: I see, will you come in here a minute, please?In his inner office during her first exam, she continues o be defiant, flippant and seemingly invincible, but nervously edgy in her movements, vulnerable and intensely frightened on the inside.During almost the entire trolley-car ride to the city, one of cinema""s most exquisitely-fashioned sequences, the camera is set in the same position, viewing the scenery as the tram turns and glides through curves - first trees and forests next to the lake, then the outskirts of the city with suburbia, factories, shops, and houses, and then he City itself.The film was highlighted by lots of catchy, overtly-sexual songs-and-dances, such as the famousTime Warp("It""s just a jump to the left.In the confusion, however, Indy escaped during an action-packed chase/pursuit sequence involving his bullwhip atop the crates.