Muley: Everybody""s got to get off.Everybody""s leavin"", goin"" out o California.Your folks, my folks, everybody""s folks.Everybody except me.I ain""t gettin"" off.Tom: Who done it?Muley: Listen.(Muley gestures toward the howling wind.) That""s some of what done it.The dusters.They start it anyways.Blowin"" like his year after year.Blowin"" the land away.Blowin"" the crops away.And blowin"" us away now.Tom: You crazy?Muley: Some say that I am.In the first of two flashbacks that emphasize the wide gap between the rich and poor classes and the failure of the tenant system, Muley remembers how he, one of the dispossessed, was driven off the land by the Shawnee Land and Cattle Company.When he awoke, the terrified Lounds realized he was stripped to his underwear, and glued to an antique wheelchair.He was the deadbeat and irresponsible father who had abandoned his pregnant girlfriend.As he turned and reached for a rolled-up piece of paper behind the photo, he carelessly and accidentally struck the photo, sending it tumbling down from the mantlepiece into a burning charcoal fire.Two doors open simultaneously into the parlor: a son (Frank Barnes) enters from the front porch, and a edgy and nervous father (Charles Smith) enters from an inside room.] However, Jonathan was seriously wounded when stabbed in the chest with two blades.Now alive, Evelyn intervened and saved Jonathan from certain death by taking his place ( "Why don""t you pick on somebody your own size?") in battling Anck-su-namun as Nefertiri while remembering "the old ways.