It is a spring day in the early 1930s in Depression-affected West Dallas, Texas.She is in her low-income frame house, and she is pouting - despairing of her unattractive, narrow existence in a tawdry environment...You must find he remains and bury him in hallowed ground."At Joey""s bedside, Nancy fiercely commanded: "Let go of him, you bastard." Slash marks appeared on Joey""s bare chest, spelling: "COME AND GET HIM BITCH."Dr.Gordon described the rantings of the mysterious nun to Nancy, and asked about Freddy""s corpse: "What happened to his body?" Nancy believed he was burned to death in his boiler room by the angered parents, and then his remains were hidden - and only one man knew the location, Nancy""s father, Donald Thompson (John Saxon), now a security nightwatchman.Breaking the spell, a very hot and grumpy Mr.Alonzo Smith (Leon Ames), the well-to-do lawyer and head of the household trudges up to the house after work at the office and squelches their performance in the parlor: "For heaven""s sakes, stop that screeching!"Wiping his sweaty brow, he collapses into a chair and mutters:That song.All of the aspects about he city and its inhabitants in Isaac""s five dictated descriptions were basically illustrated in the subsequent film ("the hustle-bustle," "lack of individual integrity," "the easy way out," "a society desensitized by drugs, loud music, television, crime, garbage" and more).In exchange for the drugs, the Bodyguard (Mac Mashourian) gives a large quantity of cash ($50,000) to one of the bikers in the front seat of the Rolls.