Horsepower.Heavy-duty, cast-iron, pile-driving punches...Let's start building some hurting bombs." A montage (accompanied by "Gonna Fly Now") of weight-training exercises including jogging with Punchy in the snow up the steps of the Art Museum, and pounding meat slabs...What is your name, Wonderly or Leblanc?...We didn't exactly believe your story, Miss O'Shaughnessy; we believed your two hundred dollars...I mean, you paid us more than if you'd been telling us the truth, and enough more to make it all right.In Lab One, Lowe pronounced: "Such a waste" and tried to convince everyone that he was innocent of blame:"I told him to stay calm, to wait until we got toSolarisand hen we could take care of this monster.The scenes of the Tramp find him alternating between scenes as an assembly-line factory worker (where he is literally fed by a machine and then - when the monotony overtakes him - becomes he 'food' in the cogs and gears of another machine), a shipyard worker, a department store night watchman, an overstressed singing waiter, or an occupant in jail.It became the second highest-grossing film of the year worldwide behindMutiny on the Bounty (1935).Flying Down to Rio (1933),with Astaire/Rogersnotin he lead roles, but billed after Dolores del Rio, Gene Raymond, and Raul RoulienThe Gay Divorcee (1934)*Roberta (1935)Top Hat (1935)*Follow the Fleet (1936)*Swing Time (1936)Shall We Dance (1937)*Carefree (1938)*The Story of Vernon and Irene Castle (1939)The Barkleys of Broadway (1949)- for MGM, 10 years laterThe film's legendary dances at the pinnacle of Astaire's and Rogers' teaming, with their charm and sophistication, naturally help to develop and carry out the simple plot - the romantic story of two strangers who meet by accident in a hotel in London, and whose budding romance is soon confused by a contrived subplot of mistaken identities.