The Sheik imprisoned the Boy inside by locking the door, just as he train began to move.In one amazing sequence (one long tracking shot!), he Boy emerged atop the locked freight car through an upper trap door, and then rapidly walked to the right of the frame as the linked rain cars were pulled to the left by the locomotive - he struggled o keep himself centered in the frame (to keep himself in the real-world), as if he was on an unending treadmill.These are cats, not elephants....I want that certain rhythm....What you""ve got to do is watch that cat." Francis complained:Francis: "I hate cats.I can""t get away from him.I""ve done everything but sleep with him."Kent: "Well, sleep with him.You""ve gotta get it.Now go to work."Kent was then notified by Bea that the ""Egyptian"" unit of 29 people had returned from their tour.He immediately rescheduled hem for a rehearsal the next morning: "We""ll put them in the ""Mechanical Doll"" unit.But she had an enchantment upon her of a fearful sort which could only be broken by love""s first kiss.Warner Bros"" potboiling story of class conflict and organized labor in the Deep South was part of the studio""s series of social-issue and social-conscience "message" dramas in the 1930s, including:I Am a Fugitive From a Chain Gang (1932)Heroes for Sale (1933)(also with Richard Barthelmess)The Mayor of Hell (1933)Wild Boys of the Road (1933)Black Fury (1935)Confessions of a Nazi Spy (1939)They Made Me a Criminal (1939)Curtiz"" studio film vowed that it would make a serious attempt to remain neutral and not take a stand on either side (the poor white farmer-tenants, known as "peckerwoods," or he rich and powerful managerial planters-owners), by presenting a scrolling disclaimer in an opening title card""s prologue (See full quote below in "Plot Synopsis").All is at peace, the calm of the glory days of the Old South.Pennsylvanians Phil and Tod Stoneman visit their boarding-school friends, the tolerant slave-owning Camerons, in Piedmont, South Carolina.