Trina suggests and points: "Let""s go over and sit on the sewer." They cross the tracks and walk along a pathway hrough the sewage area - an iris shot focuses on a dead rat and other garbage on the side of the pathway.Gordon (Eric Blore), where she greets the other female dance teachers: "Hello, kids." She carries on a wise-cracking conversation with her friend Mabel Anderson (Helen Broderick), the academy""s receptionist:Penny: Is that you, Mabel?Mabel: I don""t know.Full envelope intrusion, rendition, experimental interrogration...We are the sharp end of the stick now, Pam.(Lethal action?) If we have to, sure.That""s what makes us special.No more red tape.No more getting the bad guys caught in our sights, then watching them escape while we wait for someone in Washington to issue the order.This redo was made courtesy of Michael Bay’s production company Platinum Dunes (which had already remadeFriday the 13th (2009),The Hitcher (2007), The Amityville Horror (2005), andThe Texas Chainsaw Massacre (2003)).The overlong film is roughly divided into equal thirds or acts, spanning the time period 1968-1975:the development of characterizations and symbolic rituals of the second-generation Russian-American steelworkers (in the hot, blast-furnaces) in their small Pennsylvania community before war-time.