It isn't real.It doesn't exist.It's me, pretending I live on what I earn.It's my mother, trying to keep herself young and drinking herself old doing it.She and Adam living in this house as though your father was still alive.It's an old man like the judge, dreaming of the past.Anne, come away with me.Anne: And do what?Jack: Live in a shack and eat red beans.Anne, what do you want me o do?Anne: Oh Jack, you haven't been sure.You've gone from one thing o the other.A year at law school and now this job as a reporter.Jack: Are you afraid I can't make a living?Anne: Oh no Jack, it isn't that.I don't care about the money.It's just that I, I want you to be something.Jack: What is it you want me to be?Anne: I don't know.It's just that I want you to be, to do something important.Jack (sarcastically turning toward the portrait): Like your father? All right, I'll run for governor.In reality, his problems are "personal matters" - as an inadequate breadwinner in his family, he expresses his rebellion and rage against his father-in-law by his ill-conceived plan to steal from him:I just need the money.Fairly independent.Midge: Hmm, mmm.Well, why don't you go away for a while?Scottie: You mean to forget? Oh now, Midge, don't be so motherly.]Familiar locations in a grayish 1940s San Francisco are viewed with a slow pan - the Golden Gate Bridge, the Ferry Building, he Transbay (Oakland Bay) Bridge, and a few skyscrapers.] The film was produced by Paramount Studios and veteran, low-budget horror film maker William Castle, best known for gimmicky, cheesy films such asThe Tingler (1959),House on Haunted Hill (1959), Mr.