However, the protagonist (a cold-blooded, tough-as-nails racketeer and "public enemy") begins his life, not as a hardened criminal, but as a young mischievous boy in pre-Prohibition city streets, whose early environment clearly contributes to the evolving development of his life of adult crime and his inevitable gruesome death.Was it a reactionary message piece against imperfect, "liberal" judicial trends that let ""sicko"" criminals get away, literally, with murder? Or was Siegel encouraging audiences to empathically identify with the indiscriminate vengeance of the violent, anarchic, unrestrained vigilante ""killer"" on the side of the law who acts as an autonomous police power?The screenplay, credited to husband-and-wife team Harry Julian Fink & R.From its seven Razzie nominations, it won four: Worst Actress (Berry), Worst Director, Worst Picture, and Worst Screenplay."Disguised in a British red-coat uniform, Henry Turner entered the prison and located Captain Jack Sparrow""s cell.