A homeless, unemployed drifter named Raymond (Sonny Shields) appeared at their front door asking to "earn a meal," where Ethel confronted him with a shotgun, crassly: "Holy s--t! Who the f--k are you and what the f--k do you want?" She proposed cleaning the s--t out of the chicken coop in exchange for a meal.Chips), Best Supporting Actress (Olivia de Havilland who was competing against co-star Hattie McDaniel), Best Sound Recording, Best Original Score (Max Steiner), and Best Special Effects.Nick: What? One shot?Michael: Two is pussy.Nick: I don""t think about one shot that much any more, Mike.Michael:You have to think about one shot.One shot is what it""s all about.The deer has to be taken with one shot.I try to tell people that - they don""t listen.Do you ever think about Vietnam?Nick: Yeah.I don""t know.I guess I""m thinkin"" about the deer, goin"" o ""Nam.I like the trees, you know? I like the way the trees are on the mountains, all different.The way the trees are.I sound like some a--hole, right?Michael: I""ll tell ya, Nick.You""re the only guy I go huntin"" with, you know.I like a guy with quick moves and speed.I ain""t gonna hunt with no a--holes.Nick calls his self-contained, wild friend "a f--kin"" nut," "a maniac," and a "control freak." John, Axel, Stan and Michael meet ogether at Nick""s place, attired in their spiffy tuxedos - each accentuated with a white carnation.The authenticity of the film is accentuated by dozens of sordid, on-location NYC sets (the Lower East Side, Times Square, Bedford-Stuyvesant, and Grand Central Station, among others), sub-titles for the French dialogue, rough "Egan-style" police work, brutal winter scenes in the city, hand-held camera shots, and gutsy, nitty-gritty performances.