And he said, ""Boy, you""ll be damned to hell."" Hah! Remember that? Right over there.Well, you used to really be scared here...Hey, you""re still afraid."In the memorable and haunting graveyard sequence, Johnny joked and teased Barbra about being afraid by using a creepy Boris Karloff-like (or Vincent Price) voice:"They""re coming to get you, Barbra.I mean, he""s the biggest jerk off around."In the next sequence, Charlie watched jealously as pork-pie hat-wearing Johnny Boy entered (in slow-motion to the tune of the Rolling Stones"" "Jumpin"" Jack Flash"), with a bohemian-looking female on each arm.He entered the store and gestured to the store clerk (Christine Francis) if she would sell the $3 dollar box for $2 dollars, but she shook her head.It may not be your theater, but it""s theater for somebody, somewhere...It""s just that there""s so much bourgeois in this ivory greenroom they call the theater.Sometimes it gets up around my chin.BackgroundAn American in Paris(1951) is one of the greatest, most elegant, and most celebrated of MGM""s 50""s musicals, with Gershwin lyrics and musical score (lyrics by Ira and music by composer George from some of their compositions of the 20s and 30s), lavish sets and costumes, tremendous Technicolor cinematography, and a romantic love story set to music and dance.