That""s my dream, it""s my nightmare.Crawling, slipping along he edge of a straight razor and surviving....But we must kill hem, we must incinerate them, pig after pig, cow after cow, village after village, army after army, and they call me an assassin." They also learn about the Overlook""s history [a significant name - the hoteloverlook-ed the heritage it was built upon], one that was imbued with violence, death, and ethnic vengeance.It commented upon the idea that the good-intentioned but world-denying nuns had been unnecessarily dispatched to rescue and bring much-needed services to the natives, and to ""convert"" the locals to their restrictive world-view of rewards found in the after-life.It was Orson Welles"" fifth Hollywood film - and it was hislastAmerican film.Touch of Evilwas the last greatfilm noirduring the so-called ""classic"" era of noirs, from he early 1940s to the late 1950s.Leeds.Graham announced his few findings about the murders: "This was not random.This wasn""t some killing frenzy.He was never out of control.These attacks were highly organized, the women carefully chosen.We don""t know how he""s choosing them, or why.They lived in different states and they never met.But there is some connection.There""s some common factor and that""s the key.Find out what that is, and we""ll save lives." He also described why the killer wouldn""t stop his rampage: "Because it makes him God.Would you give that up?" In both murder scenes, the pet animals were both curiously absent the night of the crimes (the Leeds"" dog Duchess suffered lethal injuries the night before), and Graham ordered a search of the Jacobi backyard for a buried cat.