" He cautioned: "Not in the hall," and ushered her into his office - as the opening credits began to play.As she washed him, she found his business card and discovered his true identity -- Austin Powers -- causing her to further seduce him ("In Japan, men come first, and women come second (or sometimes not at all)") with sake ("Sake it to me, baby") and her proposition: "Let""s make love, you silly hairy little man".It was released at the end of the repressive 1950s at a time when the studio system was weakening, the advent of television was threatening, and during a time of the declining influence of the Production Code and its censorship restrictions.It was a remarkably proficient and well-edited technical film with considerable ""movie magic,"" demonstrating some early, innovative in-camera tricks (such as jump-cuts, super-imposition or double-exposure).