This revisionist noir film was thefirstproduction of legendary Paramount Studios head (and ex-actor) Robert Evans, a flamboyant Hollywood figure who later in 1994 published a juicy autobiography,The Kid Stays in the Picturethat was made into a documentary film in 2002.Inside, they found Mariko""s fiancee with two Caucasian female prostitutes in a state of undress, getting drunk and ready o have sex.His heart was filled with longing as he watched it drift off.Something must""ve told him that we""d never live these days of happiness again, that they were gone forever.]Familiar locations in a grayish 1940s San Francisco are viewed with a slow pan - the Golden Gate Bridge, the Ferry Building, he Transbay (Oakland Bay) Bridge, and a few skyscrapers.Among many faces that turn skyward and yearn for freedom in the Americas, a Bulgarian couple, Jan Viereck (Helmut Dantine) and Annina Brandel (Joy Page) hopefully wonder aloud: "Perhaps tomorrow, we""ll be on the plane.