Eve ("another tongue-tied gushing fan") is given the opportunity o meet her idol backstage following an evening performance.He replies with a lie: "Forty-two."Expectantly, she wants to love him, care for him, and know more about him.She tells him that despite his efforts to be unseen and unheard at her door, she hears him listening outside.She counters, explaining how chaos (sexual) would be unleashed upon the orderly world if they were released - besides, birds have always been caged, eaten, shot, and abused throughout human history:Mitch: Doesn""t this make you feel awful.He just took it over.Kept the best for himself and left us with a slum to live in." Riley gave him a new supply of antibiotics for his sick son.As Cholo delivered the seized alcoholic supplies to the inner-sanctum of Fiddler""s Green, to Paul Kaufman""s #1 penthouse apartment, he found a suicidal neighbor next door in #2 apartment who had just hung himself.An image of Africans being brought to America and sold at auction in the South follows the title.The rise of the abolitionist movement of the 19th century demands the freeing of the slaves.Then, in pre-Civil War 1860, the film dramatically focuses on two families.The Northern Stoneman family (of Washington D.C., with a country home in Pennsylvania) is led by imposing parliamentary leader, the Hon.Austin Stoneman (Ralph Lewis), an abolitionist leader in the National House of representatives [in a role patterned after Pennsylvanian Senator Thaddeus Stevens, the Radical Republican leader and anti-slavery crusader].