" He said that he heard people crying for a savior every day, and then apologized for leaving her.After flying by her house, he gently landed her back on the office's rooftop, where they brushed their lips together and almost kissed - although she paused and noted: "Richard's a good man.The three villains used their Super-breath to cause a tremendous hurricane-force gale, producing more devastation and chaos (flying cars, phone booths, fire hydrants, etc.EpilogueIn the film's ambiguous, tacked-on, twist-ending epilogue (another dream?), as she exited her mother's bedroom, she found herself outside her front door in the bright but diffuse morning fog.Rudolph Maté's cinematography resembled his earlier Oscar-nominated work in another black and white WWII-era espionage-spy thriller, Hitchcock'sForeign Correspondent (1940).Bob Barnes (Tom Berenger), who was clearly running the platoon:Hey, boy, what you waitin' for? He ain't gonna bite you.