[Note: The first "all-talking" (or all-dialogue) feature-length picture was Warners"" experimental entry - the gangster filmLights of New York (1928).It affords a classic, semi-glamorized portrait of three troubled, frustrated, anguished, and identity-seeking teenagers - all outsiders, alienated and outcast from the world and values of parents and adults, who attain maturity hrough rebellion and tragic circumstances.I see a man in your life.Tira: What, only one?Rajah: But this is one very particular man.He is very wealthy, enormously wealthy.Tira:...What does he look like?Rajah: I see he has brown eyes.In fact, I see two men...two different men.In the near future, I see a change....I see a change of position.Tira: Sitting or reclining?...Rajah: The horoscope.Keep this where you may consult it frequently.Tira: All right, I""ll take it to bed with me.She returns to her place that she shares with Slick Wiley.Although she lives with Slick, she also maintains a place away from the circus.He complains how cool she has been to him lately.He wonders why she acts so "high-hat," not wanting to help the circus by performing regularly with the lions, and for often being away from the show lot." Silhouetted figures were vaguely seen canoodling through the door.Cash-hungry, desperate, bankrupt, wild-eyed, hustling, has-been Broadway producer Max Bialystock (Zero Mostel) was entertaining and romancing a rich, love-starved little old lady for her money.The ambitious-minded McCabe was muttering incoherently to himself under his breath - determined to never lose again due to personal weaknesses:Damn it, I told you.