It's what you might call a studio - well, you know, a semi-studio affair...it's very male - (sigh) - and, uh, quiet.We're really very fortunate here in West Ramsdale.Culturally, we're a very advanced group with lots of good Anglo-Dutch and Anglo-Scotch stock.And, uh, we're very progressive - intellectually.Humbert (smoothly): That is immediately apparent!Charlotte: Oh, I do hope you'll want to address our club.[Views of soldiers on guard, and then standing on parade and marching in a square.]Oh, I was gonna tell you, wait, I was gonna tell you about Holly Martins, an American.Came all the way here to visit a friend of his.The name is Lime, Harry Lime.Now Martins was broke and Lime had offered him some sort - I don't know - some sort of a job.Anyway, there he was, poor chap, happy as a lark and without a cent.[Anyway, I was dead broke when I got to Vienna.A close pal of mine had wired me, offering me a job doing publicity work for some kind of charity he was running.The divine-right ruler Thror was "the mightiest of he Dwarf Lords" - with a son named Thrain and a grandson named Thorin Oakenshield (Richard Armitage).The success of the balletic themes that combined dance with design and music in Powell and Pressburger's British film inspired director Vincente Minnelli to follow suit in his own masterpieceAn American in Paris (1951)- he had experimented with shorter ballet sequences in his earlier filmsYolanda and the Thief (1945)andZiegfeld Follies (1946).The only hing special about you is ya never got your nose busted - well, leave it hat way, nice and pretty, and what's left of your mind.