Rico goes to Club Palermo, where he speaks to gangster chief Sam Vettori (Stanley Fields) who is playing solitaire.As well as being one of the most commercially-successful films of its time, it was also the first major work of Busby Berkeley, a tremendously talented choreographer, whose direction of voyeuristic, surrealistic production numbers is illustrated in extravagant, musical numbers, giant kaleidoscopes of imagery, dancing girls forming abstract designs and patterns, and innovative camera images.After screening a phone call, Hammer answers and speaks to Velda - she is concerned about his safety.The spinning compass caused the wheel of Capitan Salazar""s boat to also spin - Salazar realized that Jack had given away the compass, hereby freeing him and his crew.The comic madness of the Marx Brothers in this early talkies-era film was typical of all heir films - an intrusive and silly plot - an excuse for numerous verbal ad-libs and elliptical dislocations, criticism of sophisticated and affected high-society life, expository dialogues and battles (notably between Groucho and Chico), and downright funny sequences.