You""re the playwright.Listen, when somebody writes a play, they decide where the highs are, where the lows are.Right? Now you do it.And you may not be high where they""re high in the writing.You may not be low where they""re low in the writing.You may be high on ""but."" You may be high on ""and."" Of course, they were doin"" it for dough.(The scene segued to Michael""sfifthaudition on another bare stage)They were doin"" it for dough - the same as everybody does it for dough.Peter expressed to her how it was his "responsibility" to stop the Lizard-Man, because he had given Connors the secret equation (developed by his father) that caused all the trouble: "I have to fix it..." Gruber wasn""t satisfied: "You know my name, but who are you? Just another American who saw too many movies as a child? Another orphan of a bankrupt culture who thinks he""s John Wayne? Rambo? Marshal Dillon?" McClane responded: "I was always kinda partial to Roy Rogers actually.[Note: Sarandon was building a reputation for playing erotic roles and appearing semi-nude before and afterAtlantic City, includingJoe (1970),Fleur Bleue (1971),The Other Side of Midnight (1977), Malle""s ownPretty Baby (1978), andThe Hunger (1983), andWhite Palace (1990).