It also accentuates the contrasting, elemental dualities within the film: heaven and earth (or under-the-earth), male and female, light and dark, good and evil, knowingness and innocence, and other polarizations including equating the Preacher with the devil.]From a bird's-eye-view, the camera watches two tiny figures enter an archway - the West 72nd Street entrance to the apartments, where they are ushered into 'the Bramford' by Mr.As Schultz/the Shocker raised his Gauntlet to deliver a final blow, webbing suddenly caught his arm - Ned had come to the rescue after picking up Peter's web-shooter and using it to distract Schultz.They have a fist-fight on the tender until they fall.The bandit has the advantage - he lands on top of the fireman.He takes a lump of coal and strikes the fireman on the head until he is unconscious.Then after overpowering him, he hurls the victim's body off the top of the moving train.[This was a startling special effect, although it was only a dummy figure.] The two bandits force the engineer to bring the train to a stop.Scene 5: Side-view of the stopped train:At gunpoint, the engineer is forced to leave the locomotive, and walk back to uncouple the locomotive from the rest of the passenger cars.Gruver stressed that Kelly's love for a Japanese girl would be his downfall, especially if he renounced his US citizenship, but his attempts to persuade Kelly rang hollow and turned insulting - with the use of a disgusting racial slur.