(Deception #2)Taking pity on her because she has no money ("Never carry money"), he protective journalist signals a taxi and they climb in the back seat." He was still recalling his long-time marriage and commitment to his deceased wife, who was tragically killed in a car accident ("She""s dead ""cause I""m a cop") - he admitted: "I""m not finished with that yet.We will pass through the American patrols, pass their sonar nets, and lay off their largest city and listen to their rock ""n roll while we conduct missile drills.The film""s tagline was:Antonioni""s camera never flinches.At love without meaning.At murder without guilt.At the dazzle and the madness of London today.This was Antonioni""s second color film (afterIl Deserto Rosso (1964, It.) (aka Red Desert)) and his first film in the English language, and it broke the four-film streak of Antonioni""s films starring Monica Vitti (Red Desert (1964), L""Eclisse (1962), La Notte (1961),andL""Avventura (1960)).Plot SynopsisAt the "Old Man""s" (Mr.Jennings) Home:The film opened at a very measured, minimalist and tepid pace to introduce the main protagonist - a graying, unidentified gentleman as he slept with the television on in his ornate bedroom, as the credits played.