"En route at a Harith well at Masruh (belonging to a rival Bedouin tribe), Tafas draws up water at the start of one of he longest, most memorable screen entrances in film history.The lecherous, weird and sweaty George Grisby (Glenn Anders), Bannister""s business partner who has just joined he group (and is usually photographed in repulsive or distorted giant closeups to reflect the irrational way he views things), leers lasciviously and voyeuristically at her from an off-shore motorboat before boarding heCirce.Aubrey Smith) condescendingly advises Parisienne widowed (and eligible) Madame Mariette Colet (Kay Francis), the brunette perfume queen who runs the company following her husband""s death, to cut the workers"" wages during the bad times of the Depression: ".This filmic model of the ""wrong man"" was also found inYoung and Innocent (1937),Saboteur (1942), andThe Man Who Knew Too Much (1956), and culminated in Hitchcock""s similarNorth by Northwest (1959)twenty-four years later - it is widely considered his "AmericanThirty-Nine Steps.The diggers announced finding the entrance to the underground chamber (holding the tomb of Emperor Han and his massive Terra Cotta Army).