You want some? This is a peanut [a giant size replica of a peanut].You eat it, but you can""t eat this one, ""cause this is fake.This is money.You see.You put the money in the peanut.You see? It""s a bank.See? And then, this is a car.This is what we get around in.You see? Car.(The alien takes the car - and like a typical child who sees a plaything - puts it in his mouth to eat it.I feel that in a small way, we""re doing something important.Satisfying a fundamental urge.It""s deep in the race for a man to want his own roof, walls, and fireplace.And we""re helping him get those things in our ""shabby little office.""George doesn""t wish to demean his father""s work, but explains that he wants to get away and achieve financial/worldly success: "I just feel like if I didn""t get away, I""d bust.A hatch opens under the landing zone, and gently and magestically brings the spacecraft into its interior.She surreptitiously gives a letter to the attendant (Bob Sherman) to post for her.While they continue driving (and the camera views them head-on through the windshield in a medium two-shot), she is condescending toward his kind of affluent, narcissistic, ""playboyish"" man - character traits that she has analyzed and deciphered from all his unfavorable outward appearances and clues: a flashy sports car, jazzy radio, trench coat and fancy clothes, and a tough-guy, hedonistic, self-serving pose.She drove a pickup truck to a flaming crater - where her almost-unconscious grown son Clark (Brandon Routh) collapsed into her arms, as she tenderly spoke: "Oh, Clark, Oh, my boy.