She was seduced by the aristocratic, charming and glamorous lifestyle she found on he Continent.She flirted with and entered into various sexual affairs, causing her marriage to ultimately fail.With a realistic and complex depiction of the crumbling relationship, the drama pushed the limits of the restrictive Production Code at the time with a frank depiction of marital infidelities (off-screen mostly), the couple""s inevitable breakup, and his association with another woman named Edith.Kogan standing over him.The prologue scene was followed by a background foreword:Early in the 21st century, Skynet, a military defense program, became self-aware.I know my rights"), but found his mouth sealed and fused shut and he was unable to speak.(The Agents used programming of the Matrix to close his mouth.His lips became soft and taffy-like as he tried to move his jaw.) Neo was thrown onto the desk as Smith threatened: "You""re going to help us, Mr.Anderson, whether you want to or not."A long, fiber-optic, metallic electronic wire ap was activated and placed on his stomach.Revealed o be a living organism (an insectoid-like with tendrils and a tail), it burrowed into his belly-button.She spit on his mask, then finally shot him in the face with Loomis"" gun at point-blank range (after he gun clicked empty three times) just as he gripped her wrist.Their films included:Woman of the Year (1942), d.George Stevens; ied as the pair""s best filmKeeper of the Flame (1942), d.George CukorWithout Love (1945), d.Harold S.BucquetThe Sea of Grass (1947), d.Elia Kazan""s second film; the least typical of all Tracy/Hepburn filmsState of the Union (1948), d.Frank CapraAdam""s Rib (1949), d.George CukorPat and Mike (1952),d.George CukorDesk Set (1957), d.Walter LangGuess Who""s Coming to Dinner (1967), d.Stanley KramerCukor had previously directed Hepburn inA Bill of Divorcement (1932)(in her screen debut), and in her comeback filmThe Philadelphia Story (1940).