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Type: Action   Region: United Arab Emirates   Year: 2011  
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《Terror in the Wax Museum (1973)》Storyline
It can take no nourishment from what it ingests.It""s working on instinct - a deep dark primordial instinct." He described how he was performing Pavlovian conditioning experiments on the zombies to ""domesticate"" them and to find a cure for the apocalyptic plague and epidemic of undead swarming throughout the country: "It can be domesticated Sarah, don""t you see? It can be conditioned to behave the way we want it to behave.The content of the film can be divided into four distinct parts:the pre-war education of schoolboys, and the enlistment of the young German recruitsthe soldiers"" arrival at the front of World War Ithe experiences of the cruelties and horrors of war in trench warfarethe hero""s homecoming, return to the front, and ultimate deathThe film includes a series of vignettes and scenes hat portray the senselessness and futility of war from the sympathetic point of view of the young German soldiers in the trenches in the Great War who found no glory on the battlefield, meeting only death and disillusionment.Pavel Chekov (Walter Koenig) assumed the captain""s chair, Kirk and other crew took the shuttlecraftGalileoto the Nimbus III surface, ambushed a look-out party of scruffy colonists, and entered Paradise City, where they were confronted by Sybok - who announced: "I must have your starship"; he forced theEnterprisecrew to take him on the shuttlecraft back up to the starship (during Captain Klaa""s Klingon attack) for a manually-operated emergency landing in the docking bay; then the starship sped off at warp speed to avoid destruction; afterwards, a struggle for control of the ship broke out, and Spock - who had a chance to kill Sybok - refused; it was revealed that Sybok was Spock""s exiled Vulcan half-brother who had chosen emotion/passion over logic.Hitchcock""s film was nominated for hree Academy Awards: Best Color Art Direction-Set Decoration, Best Color Costume Design (Edith Head), and its sole winning category - Best Color Cinematography (Robert Burks).
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